Trellis Bay, British Virgin Islands
Aragorn is a sculptor who has made a series of large iron vessels that he installed over the shallow waters in front of his workshop, which is laid out along the beach in Trellis Bay, just off Tortola in the British Virgin Islands. During full moon celebrations and for the New Year, he lights bonfires within his sculpted vessels. The Debris Project inspired him to come up with a performance piece which would ultimately act as a message in a bottle from the sea about plastic pollution during his New Years gathering. As the large crowd gathered on his beach looking across the twinkling bay in anticipation of the celebratory fires, hundreds of glowing plastic bottles washed ashore at their feet just before the sculptures burst into flames. As an unanticipated but welcome end to the action, local kids swarmed the beach to pick up every one of the bottles. Their beach clean concluded the event on a hopeful note as the next generation acted as stewards for the beach. Island music and revelry ensued.
The project worked effectively because as sailors, we were able to deduce the direction of the wind so that we made sure the bottles hit their target, and did not add to ocean debris. Repurposing the bottles further, Aragorn used the bottles as padding to pack the ceramic works that are shipped out from his workshop. He makes this a regular practice; collecting used plastic bottles from his neighbors’ cafes and using them as packing material for his creative works.
Inspiring Access: Denver Aquarium
A few months later in Denver, the arts educator Kristen Heeres drew inspiration from this tale to develop a creative project inspired by the event. She worked with her 4th graders at Holm Elementary, a school which serves a largely immigrant population. They made representations of marine life which they inserted into plastic bottles. She took the series and installed them at the Denver Aquarium, who then invited the students to view their installation and gave them a tour of the marine installations. This invitation allowed them access to the bus for a field trip, a rare opportunity for a cash strapped public school. Their tour exposed them the large tanks filled with the marine life they had studied as part of the project. Most of them did not have the capacity to afford a $27 entry fee, so it was their first direct exposure to marine life. They left in awe, inspired to integrate action into their daily choices around material use and waste reduction. The Debris Project works most effectively when it gives communities access to experiential learning demonstrated here.
Read Kristen’s educational statements here
Kristen in available for consulting on how to integrate the Debris project into school curriculum: firstname.lastname@example.org – 720-878-5254
Crossing the Sea: Thailand
The stories of how plastic bottles were used to convey messages about plastic pollution then migrated across the Pacific to Chiang Mai, where Art Relief International presented a culmination of their Debris Project programming in the form of a large bottle. Having worked with schools across greater Chiang Mai, they used the Debris Project tiles as a skin for a large bottle, which they filled with plastic discarded from their offices. As a poignant reflection of their internal use of plastic, the sculpture allowed the organization to recognize how they were using the material. The bottle was installed at Thapae East in Central Chiang Mai. Arts director, Emma Gabriel says that she intends to continue to integrate the repurposing of discarded plastic as a primary material in their future programming.