Evan Anderman

Evan Anderman, 'Crosshatch', Strasburg CO, color photograph
Evan Anderman, ‘Crosshatch’, Strasburg CO, color photograph

Artist’s Statement for SEED :: disperse at the Dairy ARTS Center

I seek to challenge our understanding of the relationship between human development and the natural world by documenting the way we use the land.

As a geologist, when I fly over the high plains of eastern Colorado, I look at the many, overlapping layers and how the land has been modified by a combination of processes, both natural and manmade. The lowest layer, the land itself, has been created over literally millions of years and forms the foundation. Draped on top of that is what mankind has imposed in various ways; activities and structure that are collectively called “progress.” While my main interest is the subtle beauty of the landscape itself, I also like to tease out what man has done with that land, and make the viewer wonder what is going on and why. The images are fundamentally aesthetic, but leave you questioning the subject matter.

I have chosen to concentrate on the Eastern plains of Colorado because their subtle beauty illustrates global tensions on a local scale. They are sparsely populated regions of Colorado that are subject to a diverse mix of land use. Vast expanses are given over to raising crops or grazing cattle, which if not carefully managed can decimate the landscape. The newest layer is the energy business, which until recently had only a small presence in the area. But it has been expanding rapidly, encroaching on or even overlaying the agricultural spaces. It is yet unclear if they can all co-exist, and how these changing dynamics will impact the land(scape).

Evan Anderman Photography

Evan Anderman, Deer Trail, photograph
Evan Anderman, Deer Trail, color photograph

Published by

Lee Lee

Lee Lee is a visual artist who integrates a collaborative, social practice oriented approach in her practice. Her paintings may be viewed at www.Lee-Lee.com & collaborations at www.virtualvoices.org

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