Early Spring Emergence

Foggy April morning on Conary Cove. The sea returns to life in early spring.
Rockweed revived, the air becomes filled with the salty aroma of the ocean.

The arrival of spring is very quiet in Maine. It took me a couple of years to recognize and appreciate the swelling of catkins, the blossoming of fuzzy pussy willows and the blushing reds worn by deciduous forests as the red maple flowers start to bloom. The scent of the sea awakens the senses as the water warms and the rockweed is revived after a long winter freeze. Native flowers start to emerge, but we have to look very closely at the tiny leaves which emerge donned in purples and reds, camouflaged against the soil. This is the fourth year we have started growing our native plants from seed, and the first wave of plants are now established, sending out new tendrils of growth underground to fill in available space. Finally the plants are able to establish ground and deter weeds on their own! Last fall, new seeds were sown in the gaps created by a final weeding of the flower beds. As the first seeds start to germinate, we are mindful to keeping these areas of slow growing seedlings well weeded until they too gain a foothold. Spring snow will still occasionally blanket the earth, and the added moisture encourages these natives to burst forth in May despite the cold in April.

Crocus emerge in April, offering nourishment to early pollinators
Daffodils arrive with cheer as we wait for natives to emerge.
The blush of early spring; Red Maple blooms in the wet meadow.
Foxglove Beards-tongue (Penstemon digitalis) has maintained leaves over the winter that allows for the bursting forth of new leaves by the end of April
Marsh Marigold bursts forth out of the standing water around our well. This is one of the first plants established in our wet meadow as this area was too wet even for the aggressive timothy hay that was planted here years ago.
The quiet emergence of our native lupine is quite the contrast to the quick growing western variety that has become invasive in Maine.
Purple fronds of Jacob’s Ladder unfurl in the early spring sun.
The purple coloring of many plants, like this spotted bee balm, protect the tender leaves from the bright sun as they emerge.
Endangered Bloodroot starts to poke up their small heads between leaf litter. Established plants will emerge through leaves with no problem, so these areas should not be raked. Leaving leaf litter protects overwintering larvae. The leaves break down into a rich humus to invigorate the soil.
Curieux enjoys the new smells from a greening landscape, even when it snows.

Make way for Seedlings!

We are on lockdown in Maine as we try to ‘flatten the curve’ of the Covid-19 global pandemic. Early on, we recognized the broader impacts of food insecurity that is being faced now and will unfold over the short season in Maine. Over the winter, we grew lots of vegetables in the greenhouse and now it is time to harvest some for our kitchen and more to pass on to our local food pantry. We have made it our goal to share something fresh from the garden every week during food box distributions through the seasons. Last fall, the Blue Hill Garden Club under the leadership of Peter Leonard (Grandpa) started a new public garden on Tenney Hill in the town of Blue Hill. Little did we know just how important this new space will be in providing fresh nourishment for our neighbors. Working with the Downeast Gleaning Initiative, Healthy Peninsula and the Blue Hill Heritage Trust, we are not only growing food for free distribution to the members of our community in greatest need, we are developing a platform for education on seed saving. The run on seeds this season has sparked great interest in saving seeds. We are trying out several ways to share how to save seed, why it is important and provide a platform for exchange and preservation of seeds for future growing season. For now, we are clearing out the greenhouse to fill it with seedlings that will be planted in the public garden later in the spring.

Our lettuce is going to seed, which we will sow through the season in the public garden, and the kale flourishes with plenty of greens to share. Rosemary maintains her happy home and offers nutrient dense leaves to share as full branches in the food pantry. Herbs are like super food! Even with the simplest meal, they add flavor and (more importantly) a dose of nutrients that are found in these culinary plants that are closest to the wild. They store easily when dried too.
Watercress flourishes in the aquaponic bed and the chard has grown into a giant!
Pickled beets to be – taken out of the dirt to make way for seedlings
Various pumpkins and squash emerge
Seedlings stay cozy under a late April snow.
Brassicas and onions – perfect planting companions
A new set of greens are planted in the terraced beds.

2020 SEED engagements

March 19-22: Slow Fish in Durham, New Hampshire

March 29th:
SEED Swap & Scion Exchange
MOFGA Common Ground Education Center, 10am – 4pm
Installation of the SEED Sensorium & dispersal of Native Grasses
Join us for the 3rd year of installing the SEED Sensorium, pick up seed saving information and native grass seed to support habitat for pollinators. Find us in the alcove, next to the exchange.

April 4th:
Master Gardener Symposium: Gear Up for Gardening
Moore Center, 12:30 – 4:30-5pm
Creative Frameworks for SEED Dispersal ~ Lee Lee
Working at the intersection of art and ecology, Lee Lee will present her methodology in cultivating creative frameworks for public engagement around wild land restoration. Material will include cultivating networks of living SEED libraries, SEED Sensoria, HugelCULTURE and following seasonal rhythms to respond to specific attributes of place in culturally relevant ways. 
Other workshops include: Grow your best Veggies by Marjorie Poronto of the Master Gardeners Extension program, Grow your best raspberries by David Handley, UMaine, Biodiversity by Reeser Manley, Creating a community garden, Edible Millbridge, and Improving soils by Paul and Karen Volkhausen of Happytown Farm.

April 4th: Sweetgrass talk with Carol Dana
Part of the Blue Hill Heritage Trust’s winter lecture series

May 9th 1 – 3pm
Garden Day at the Blue Hill Heritage Trust
Learn what native seeds may be sown in spring and collect native grass seeds to take home and plant for pollinators. A workshop on composting will be presented by master gardener, Zabet NeuCollins.

May 23rd 9am – noon
Blue Hill Public Library Plant Sale
Find SEED under the apple tree as we disperse spring sown native grasses and wild mint along with sipping tea and drawing pollinators who benefit from these meadow plants

The above events cancelled or postponed due to COVID 19

May 23rd 2-4pm (rain date May 24)
Mapping the Labyrinth Meadow workshop at Tapley Farm
As a community, we will map out the geometric path that will be maintained at Tapley Farm in Brooksville as a collaboration between the Tent Project, the Open Air Arts Initiative and SEED :: disperse. The labyrinth will offer a platform on which to creatively explore our relationship with the meadow landscape. Challenging the dominant local mowing practice of severing this important part of local ecology, this event kicks off a series of workshops to educate people on how to maintain meadows in ways that best support the pollinator and bird communities that are essential to healthy natural systems.

May 30
Alewife Festival at Pierce Pond
Join the Penobscot Alewife Committee, the Blue Hill Heritage Trust & SEED to celebrate the maturing landscape around the restored fish ladder into Pierce Pond. Learn about the plants that make up shoreline communities and the network of life supported by them.

July 11 – 27th: SEED Barn Artist in Residence: moira williams
Learn more about moira’s walking based creative practice:
I-Park Kicks off Seventh Art Biennale in East Haddam

July 25th 2-4pm (rain date July 26)
Embodying the Landscape: Walking the Labyrinth
We invite the community to walk the labyrinth with intention as we explore the plant communities that make up the meadow at the Tapley Farm. We will speak of how important it is to hold off on mowing our meadows until November by paying attention to the teaming life that fills the maturing meadow. We will think about the localized movement of pollinators as they weave their way through the landscape and think about the shelter provided by tall grasses for seed dispersers who call the meadow home. Open source images of the network of life that abounds in meadows will be available for creative exploration through words, movement and drawing.

August 22nd 10a-4pm
Blue Hill Maritime Festival
Discover the colonial medicine chest and tea gardens at the Pendleton House with the establishment of a new SEED library dedicated to preserving these heirlooms brought to Maine from across the sea.

October 3rd 2-4pm (rain date October 4)
Meadow Restoration workshop at Tapley Farm
We will look at techniques for restoring meadows for the final event in the Labyrinth series in collaboration with the Tent Project and the Open Air Arts Initiative. Thinking about the transformation from flower to seed, we will look at the community of seed eating birds who are supported by mature meadows as they migrate south for the winter. We invite people to wait until November to mow so as not to disrupt this important food source for the birds. Autumn is the best time for planting plugs and we will share techniques on how to best introduce native plants to meadow environments to broaden the diversity of what is growing around us.

October 8-12th: Terra Madre

Mountains Beyond Mountains

Restoration Liberation
2019 Ghetto Biennial

Katelyn Alexis + Getho Jean Baptiste + Wesner Bazile + Rossi Jacques Casimir + Noel Edgard aka Papouche + Lee Lee + Mimi Sheller + moira williams

We are exploring historic connections between Maine and Haiti with a series of workshops and performances; looking at the entangled mobilities between plant-human and non-human relationships held sacred by indigenous communities. We will consider the role plants played through the Haitian revolution and how plant-based practices in both geographies may inform each other as we navigate our way through food sovereignty, sacred/medicinal relationships and rewilding
efforts. We are interested in counterpractices that push against industrial agriculture and hybrid seeds.

I :: White Pines from Dawnland
The tall, straight trunks of Maine’s white pine trees were marked and severed from the landscape by French settlers to build ships that carried lumber to Haiti. Hawthorn trees were equally struck from the land, stripped of their thorns then used as nails in the same ships to Haiti (Hawthorne is resistant to rot unlike pine). Both Pine and Hawthorne trees carry sacred/medicinal relationships with indigenous people. Additionally, both trees were used to construct plantations that in turn, served as frameworks against which the Haitian revolution took place. Our project begins with tracing the ghosts of White Pine and Hawthorn trees. We will travel rural areas to find their traces, look at the functional differences between in-tact plantation grounds versus fragmented land passed down equally through generations of families after the revolution. We will connect these ghosts to the sacred/medicinal microgardens found in the pots and doorways of Port-Au-Prince through recorded conversations, knowledge sharing and movement.

SEED Barn - Blue Hill Falls, Maine
The SEED Barn was crafted by boat builder, John Cheever in 1835. Here it is seen with a schooner under construction in mulatamicuwon, now known as Conary Cove in Blue Hill, Maine

II :: Mountains beyond Mountains
The indigenous Arawak people met the first free Africans in Ayiti (Haiti), during the 1800’s. Ayiti means ‘mountains beyond mountains’ an expression from and of the land. Both cultures recognized one another’s interconnected, sacred relationships with the land. As a result, the Arawak shared their knowledge of the land and the medicinal qualities found in Haiti’s endemic plants with the Africans. Plant, food and soil knowledge continues to be cultivated, interwoven with multiple cultural nuances, as interventions of restoration and liberation throughout the tightest corners of urban Port-Au-Prince. These same plants are grown in microgardens around the Grand Rue.

III :: Control
Moringa trees provided Haitians essential nutrients during the petrol revolts this year. Moringas were brought to Haiti from Africa as seeds and thrive in areas where little else can grow. We will plant more Moringa trees, save their seeds to establish a nutrient dense Grand Rue – if you control food, you control people.

Confronting the failures of our work in the previous biennales, we will install a functioning SEED library at SAKALA. They have the capacity for preservation and are interested in seed saving due to food security threats from hybridization. Informed by the progress of SEED work in Maine with the Halcyon Grange and Blue Hill Heritage Trust, we will call on Haitian organizations to maintain a preservation ring. Potential SEED library branches AJDHVD network of school gardens, Minister of
the Environment, Botanic Gardens, SOIL & Lambi Fund farmer networks.

IV :: Restoration
In response to concerns that urban youth are being severed from the land, traditional plant, soil, health and cultural knowledge, we will weave aspects of re-wilding into our SEED work to promote
a whole-body ecologic revolution. We will do this with seed saving workshops and a combined art, citizen science, movement
workshops in the Grand Rue and SAKALA (SAKALA has a “wild” field). We will provide a school bus and invite the Grand Rue TiMoun to participate.

2019 installation:
Accidental Migrants

2019 Ghetto Biennale: THE HAITIAN REVOLUTION & BEYOND

2020 update

Because of the revolts over the course of 2019, we decided to elongate this effort by drawing out programming to support workshops on a month to month basis. We started with open source images of Ruby-throated hummingbirds & cedar waxwings printed for the installation for the 2019 Biennial. Both birds are considered ‘accidental migrants’ from the northeast. The woodworking community that makes up Lakou Basile are carving representations of these photographs on a workshop platform with neighborhood youth to learn relationships of flowers with pollinating hummingbirds & fruit dispersal through birds. The woodblocks will be sent to the SEED Barn and used to demonstrate printing techniques of Ukiyo-e style of woodblock printing during the 2020 season. In hopes this exchange ignites consideration of the ecologic and historic geographic relationships we maintain with lands which host migratory wildlife enjoyed throughout the Maritime region during the summer.

Meadow Mandala

Meadow Mandala at the SEED Barn Maine
Thatcher Gray basks above the completed Meadow Mandala in the wet meadow alongside the SEED Barn.

Broadening perceptions of HOME to include outdoor spaces helps cultivate an understanding of the interrelationships between humans and wildlife. As for humans, good homes for wildlife include plenty of food, safe access to water and shelter, and enough space to raise the next generation. In this outdoor workshop, participants are invited to create an on-site, mandala inspired sculpture woven through the meadow landscape that will provide winter habitat for seed dispersers.

In the process, we learn how to work with natural materials in our own gardens to augment habitat for wildlife through winter months.

This is the final installment of the 2019 Open Air Arts Initiative Field Works, a collaboration between the Blue Hill Heritage Trust, Cynthia Winings Gallery & the SEED Barn. The culmination exhibition will take place at Parker Point the weekend of September 27-29.
https://www.facebook.com/events/596899880842603/

The SEED Barn is located at 53 Falls Bridge Road in Blue Hill Falls www.virtualvoices.org
http://www.openairarts.org/
https://bluehillheritagetrust.org/

Meadow Mandala at the SEED Barn Maine
Exploring different methods of working with materials on site, participants share ideas as the spiral form of the mandala is established
leaf chain
A leaf chain is woven with yarn and Norway maple leaves from the eradication of the invasive tree on another part of the property.
Leaf chain for the Meadow Mandala
Assembling the Meadow Mandala at the SEED Barn Maine
Working together to assemble the Meadow Mandala
Meadow Mandala at the SEED Barn Maine
The finished mandala
Meadow Mandala in winter. The structure persists into the winter and highlight the animal passages through the underbrush.
Mandala in Winter

Seaside Goldenrod

Monarchs sip nectar from September blooms of Seaside Goldenrod to prepare for their long autumn migration. After several generations of Monarchs have made their way north to Maine, this last generation flies the entire return trip to the alpine forests of central Mexico, where they will over winter.

While Milkweed is essential food for Monarch caterpillars, a diversity of late blooming plants offer important nourishment for migrating monarchs. It’s important NOT to mow fields until much later in the season so the flowers may continue to offer nectar…and then seeds to migrating birds!

Sea Shanties & SEED Stories


Celebrating the new gardens designed and built by Lee Lee at the Pendleton House, they set the stage for a display of Haitian artworks and maritime paintings during first Blue Hill Maritime Heritage Festival. In consideration of the historic use of the building to house sailors who needed temporary housing between seafaring journeys, garden plants were chosen because they were considered important enough for early settlers to bring with them across the sea. The plant collection will comprise a collection of tea and medicinal plants tended in these early colonial ‘medicine chests’.

In tandem with exploring what plants arrived here, we are considering the severance of the landscape for the raw materials that became the foundations for colonialism. What systems were set in place that still exist today? What are the long term social impacts experienced by indigenous populations in the Penobscot region as well as the Caribbean and African regions? How is indigenous practice informing the healing of these lands?

Featuring custom painted Maritime Chests and Historical Signs by Robert Jarvis Leonard III, the garden installation included crafts from Indian Island by Penobscot linguist Carol Dana and a selection of Haitian sculptures that offer a poignant reflection of the backwaters of (im)mobilities. An interactive component will invite visitors to share stories of their own relationship with plants and migrations.

Through the festival, songs of the sea will be sung both in the gardens and along the sea across the street at Emerson park. Bring an instrument and join in this Cèilidh style gathering.



Revolution

ARTISTS on view:
Basile Wesner
Katelyn Alexis
Love Leonce
Jean Frederic
Getho Jean Baptiste
Willem Guillome
Kombatan
Londel Inoocent
Evel Romain
Jean Claude Santillus
Zaka
Jean Herard Celeur

This exhibition initiates explorations of the historic connections between Maine and Haiti. Encouraging an examination of the entangled mobilities between plant-human and non-human relationships held sacred by indigenous communities, we will consider the role plants played through the Haitian revolution and how plant-based practices in both geographies may inform each other as we navigate our way through food sovereignty, sacred/medicinal relationships and rewilding efforts.

Sculptures by Atis Rezistans members are installed through the gardens around the SEED Barn and will remain on view through the summer. The sale of these artworks will directly support continued restoration efforts in the central urban zones of Port-Au-Prince. The SEED Barn in Blue Hill Falls was built by the ship builder, John Cheever, who constructed tall ships in Conary Cove. It is also located at mulatamicuwon, traditionally used by the Penobscot. The history which has unfolded in this place makes it a relevant platform to explore the ties between seemingly disparate geographies. 

Several members of the Atis Rezistans have work currently on view in the Museum of Contemporary Art in North Miami as part of PÒTOPRENS: The Urban Artists of Port-au-Prince, which traveled from Pioneer Works in Brooklyn, NY.

Bagaduce Alewife Celebration


Join the Penobscot Alewife Committee, Maine Coast Heritage Trust, Blue Hill Heritage Trust and Maine Center for Coastal Fisheries for the 2nd Annual Bagaduce Alewife Celebration!

Saturday, May 18th, 11am – 3pm
Pierce Pond in Penobscot


Learn about the native plant restoration work being done at Pierces with the SEED Barn & Blue Hill Heritage Trust.

Demonstrations on sowing native seeds, transplanting seedlings and providing habitat will compliment an art installation of cast paper butterflies. The public is invited to participate in this community restoration project by learning about the ecologies along the land water interface. Add your voice by composing messages to wildlife who use this passage, and bring home an assortment of native grass seeds to plant in your own yard!

Guided tours of future restoration locations will take place on on Parker Pond (9:30am)  and Walkers Pond (1pm)


Explore the Water!
Catch alewives to make observations, view a freshwater fish observation tank, taste smoked fish, and much more! There will even be a Virtual Reality set up so you can “swim with the fishes” through Maine Center for Coastal Fisheries!

For more information, please contact Blue Hill Heritage Trust at 374-5118 or info@bluehillheritagetrust.org

Participate in the Community Restoration of Pierce Pond through March by sowing native seeds specific to the river and lakeshore plant communities observed around Pierce Pond and gathered from the research in the Natural Landscapes of Maine guide published by the Maine Heritage Fund. Seeds are best sown at home, and we invite community members to establish some in their home gardens and sow some to share with the restoration project.



birdSEED: Explore! Outdoors

Image courtesy of Explore Outdoors!

Following the ecological rhythm of the seasons, SEED programs engage a network of schools and land stewards at the intersection of art and ecology to promote long term restoration. Building habitat for birds and pollinators through providing accessible platforms for community participation develops a sense of our relationships with the natural world, which we feel is essential to the effectiveness of conservation work. Drawing inspiration from the ancient art of weaving practiced in the area, we will gather in August to weave winter homes for birds and weave together native plant communities cultivated in the SEED network of steward gardens. In so doing, we weave together communities of people in the act of ecocultural restoration. In collaboration with Explore! Outdoors and the Blue Hill Public Library, we intend to create a woven sculpture immersed in the landscape of the SEED Barn meadow, using only materials found on site so that the works may disintegrate back into the landscape. The act of creating these woven structures allows us to think about traditional relationships with the land while exploring the animal species who could potentially use the shelter while overwintering nearby. Summer visitors are particularly encouraged to attend so they may return home to apply this method in more urban areas.

SEED Barn Maine - birdSEED
Participants fill the moist meadow of the SEED Barn to gather materials to integrate into our habitat sculpture.
SEED Barn Maine - birdSEED
The structure echoes the perpendicular lines between the fallen trunk, branches and ground, creating a framework into which were inserted small scale, nest like sculptures.
SEED Barn Maine - birdSEED
SEED Barn Maine - birdSEED nest
Nest inspired sculpture made of natural materials during the workshop.
SEED Barn Maine - birdSEED
Nest forms woven on a larger scale in the meadow.
SEED Barn Maine - birdSEED
SEED Barn Maine - birdSEED winter
The nest inspired sculpture settles into the landscape over the winter.