2020 SEED engagements

March 19-22: Slow Fish in Durham, New Hampshire

March 29th:
SEED Swap & Scion Exchange
MOFGA Common Ground Education Center, 10am – 4pm
Installation of the SEED Sensorium & dispersal of Native Grasses
Join us for the 3rd year of installing the SEED Sensorium, pick up seed saving information and native grass seed to support habitat for pollinators. Find us in the alcove, next to the exchange.

April 4th:
Master Gardener Symposium: Gear Up for Gardening
Moore Center, 12:30 – 4:30-5pm
Creative Frameworks for SEED Dispersal ~ Lee Lee
Working at the intersection of art and ecology, Lee Lee will present her methodology in cultivating creative frameworks for public engagement around wild land restoration. Material will include cultivating networks of living SEED libraries, SEED Sensoria, HugelCULTURE and following seasonal rhythms to respond to specific attributes of place in culturally relevant ways. 
Other workshops include: Grow your best Veggies by Marjorie Poronto of the Master Gardeners Extension program, Grow your best raspberries by David Handley, UMaine, Biodiversity by Reeser Manley, Creating a community garden, Edible Millbridge, and Improving soils by Paul and Karen Volkhausen of Happytown Farm.

April 4th: Sweetgrass talk with Carol Dana
Part of the Blue Hill Heritage Trust’s winter lecture series

May 9th 1 – 3pm
Garden Day at the Blue Hill Heritage Trust
Learn what native seeds may be sown in spring and collect native grass seeds to take home and plant for pollinators. A workshop on composting will be presented by master gardener, Zabet NeuCollins.

May 23rd 9am – noon
Blue Hill Public Library Plant Sale
Find SEED under the apple tree as we disperse spring sown native grasses and wild mint along with sipping tea and drawing pollinators who benefit from these meadow plants

May 23rd 2-4pm (rain date May 24)
Mapping the Labyrinth Meadow workshop at Tapley Farm
As a community, we will map out the geometric path that will be maintained at Tapley Farm in Brooksville as a collaboration between the Tent Project, the Open Air Arts Initiative and SEED :: disperse. The labyrinth will offer a platform on which to creatively explore our relationship with the meadow landscape. Challenging the dominant local mowing practice of severing this important part of local ecology, this event kicks off a series of workshops to educate people on how to maintain meadows in ways that best support the pollinator and bird communities that are essential to healthy natural systems.

May 30
Alewife Festival at Pierce Pond
Join the Penobscot Alewife Committee, the Blue Hill Heritage Trust & SEED to celebrate the maturing landscape around the restored fish ladder into Pierce Pond. Learn about the plants that make up shoreline communities and the network of life supported by them.

July 11 – 27th: SEED Barn Artist in Residence: moira williams
Learn more about moira’s walking based creative practice:
I-Park Kicks off Seventh Art Biennale in East Haddam

July 25th 2-4pm (rain date July 26)
Embodying the Landscape: Walking the Labyrinth
We invite the community to walk the labyrinth with intention as we explore the plant communities that make up the meadow at the Tapley Farm. We will speak of how important it is to hold off on mowing our meadows until November by paying attention to the teaming life that fills the maturing meadow. We will think about the localized movement of pollinators as they weave their way through the landscape and think about the shelter provided by tall grasses for seed dispersers who call the meadow home. Open source images of the network of life that abounds in meadows will be available for creative exploration through words, movement and drawing.

August 22nd 10a-4pm
Blue Hill Maritime Festival
Discover the colonial medicine chest and tea gardens at the Pendleton House with the establishment of a new SEED library dedicated to preserving these heirlooms brought to Maine from across the sea.

October 3rd 2-4pm (rain date October 4)
Meadow Restoration workshop at Tapley Farm
We will look at techniques for restoring meadows for the final event in the Labyrinth series in collaboration with the Tent Project and the Open Air Arts Initiative. Thinking about the transformation from flower to seed, we will look at the community of seed eating birds who are supported by mature meadows as they migrate south for the winter. We invite people to wait until November to mow so as not to disrupt this important food source for the birds. Autumn is the best time for planting plugs and we will share techniques on how to best introduce native plants to meadow environments to broaden the diversity of what is growing around us.

October 8-12th: Terra Madre

Meadow Mandala

Meadow Mandala at the SEED Barn Maine
Thatcher Gray basks above the completed Meadow Mandala in the wet meadow alongside the SEED Barn.

Broadening perceptions of HOME to include outdoor spaces helps cultivate an understanding of the interrelationships between humans and wildlife. As for humans, good homes for wildlife include plenty of food, safe access to water and shelter, and enough space to raise the next generation. In this outdoor workshop, participants are invited to create an on-site, mandala inspired sculpture woven through the meadow landscape that will provide winter habitat for seed dispersers.

In the process, we learn how to work with natural materials in our own gardens to augment habitat for wildlife through winter months.

This is the final installment of the 2019 Open Air Arts Initiative Field Works, a collaboration between the Blue Hill Heritage Trust, Cynthia Winings Gallery & the SEED Barn. The culmination exhibition will take place at Parker Point the weekend of September 27-29.
https://www.facebook.com/events/596899880842603/

The SEED Barn is located at 53 Falls Bridge Road in Blue Hill Falls www.virtualvoices.org
http://www.openairarts.org/
https://bluehillheritagetrust.org/

Meadow Mandala at the SEED Barn Maine
Exploring different methods of working with materials on site, participants share ideas as the spiral form of the mandala is established
leaf chain
A leaf chain is woven with yarn and Norway maple leaves from the eradication of the invasive tree on another part of the property.
Leaf chain for the Meadow Mandala
Assembling the Meadow Mandala at the SEED Barn Maine
Working together to assemble the Meadow Mandala
Meadow Mandala at the SEED Barn Maine
The finished mandala
Meadow Mandala in winter. The structure persists into the winter and highlight the animal passages through the underbrush.
Mandala in Winter

Seaside Goldenrod

Monarchs sip nectar from September blooms of Seaside Goldenrod to prepare for their long autumn migration. After several generations of Monarchs have made their way north to Maine, this last generation flies the entire return trip to the alpine forests of central Mexico, where they will over winter.

While Milkweed is essential food for Monarch caterpillars, a diversity of late blooming plants offer important nourishment for migrating monarchs. It’s important NOT to mow fields until much later in the season so the flowers may continue to offer nectar…and then seeds to migrating birds!

Sea Shanties & SEED Stories


Celebrating the new gardens designed and built by Lee Lee at the Pendleton House, they set the stage for a display of Haitian artworks and maritime paintings during first Blue Hill Maritime Heritage Festival. In consideration of the historic use of the building to house sailors who needed temporary housing between seafaring journeys, garden plants were chosen because they were considered important enough for early settlers to bring with them across the sea. The plant collection will comprise a collection of tea and medicinal plants tended in these early colonial ‘medicine chests’.

In tandem with exploring what plants arrived here, we are considering the severance of the landscape for the raw materials that became the foundations for colonialism. What systems were set in place that still exist today? What are the long term social impacts experienced by indigenous populations in the Penobscot region as well as the Caribbean and African regions? How is indigenous practice informing the healing of these lands?

Featuring custom painted Maritime Chests and Historical Signs by Robert Jarvis Leonard III, the garden installation included crafts from Indian Island by Penobscot linguist Carol Dana and a selection of Haitian sculptures that offer a poignant reflection of the backwaters of (im)mobilities. An interactive component will invite visitors to share stories of their own relationship with plants and migrations.

Through the festival, songs of the sea will be sung both in the gardens and along the sea across the street at Emerson park. Bring an instrument and join in this Cèilidh style gathering.



Quiet stirrings of Spring

Pussy willow blossom

Spring arrives quietly in Maine. In lieu of colors that burst forth vibrantly in more southerly parts of the country, spring arrives through smells emerging from the sea, the softening of ground and a gentle ease as the freeze starts to thaw. Sap starts running as trees prepare to set forth their leaves, and there is a subtle shift in the palette of the landscape as the tips of branches bulge in buds and the first soft fuzzy blooms speckle the Pussy Willow trees. Providing essential nutrients for Bombus as they start to wake up from winter hibernation, the trees are considered keystone species in these northern woods. Surprisingly, the fuzzy grey nubbins are actually flowers. If you tear them open and put them under a microscope you will find they contain flaming fuschia and lime hidden within their furry coats. The closer we look to the plants outdoors, the more surprises we find in tiny bursts of life setting forth.

It is a time for planting seeds in the greenhouse! Vegetable seedlings start filling the terraces in their little pots. We also sow native bunching grasses to give them a strong start through the belated spring. We will then plant the grasses as plugs in the late spring and early summer to provide shelter for pollinators and late fall forage for migrating birds.

The greenhouse is warm despite late snow storms

Hugel CULTURE demonstration

The first season at the SEED barn involved a lot of work taking down invasive plants and folding them back into the earth in a Hugelkultur fashion. Mid way through the season, the Blue Hill and Brooklin Garden Clubs visited the grounds in a demonstration on how we are using available materials to build Hugelkultures. Conversation on why it is important to address invasive plants ensued since many invasives are initially introduced as decorative garden plants. Bringing attention to the fact that many nurseries, especially in the big box stores, continue to sell invasive plants is important to know for avid gardeners.  Below, we see an example of a Hugelkultur bed in the second season as new plants become established. An introduction to the SEED Library offered members new ideas on what native plants could potentially be worked into the landscape. The tour ended with a description of how to tie in an aquaponic system into the small scale terracing approach developed by grandpa in the new greenhouse.

 

Aquaponics in the Greenhouse

Grandpa's greenhouse
Stacked beds support the aquaponics system installed in the greenhouse

The method of stacking growing beds to save space and add height within the green house was developed at the Distillery in Taos. Using a wire mesh to form the curved walls, Quick-crete is smoothed on to fill in the wall structures. The little walls are only buried a few inches, so the beds are connected underneath, allowing the roots of the plants to grow unconstrained. The walls serve not only as growing containers, but as a stepped buttress to support the weight of garden dirt across the top portions of the beds. The top level, seen here as under construction, is connected to the pond as a closed, aquaponics system. Filled with a growing medium, there is a pump that flushes water from the pond through the bed a couple of times a day. Bringing nutrients in the form of fish waste to the plants, their roots in turn filter the water clean for the fish before the water cascades back into the little pond. We have found that watercress abounds in this bed, offering nutrient dense greens through winter months. Raised beds on the right offer a comfortable work space, warmed by the sun in winter and offering a lovely view, overlooking the Mill Pond.

Thatcher Gray paints pollinators
Dreaming of spring: Thatcher Gray paints pollinators on the old painted floors of the 1835 farm house connected to the SEED Barn.

A Blank Canvas

The foundation of the greenhouse was excavated as one of
the first alterations of the land around the SEED Barn in 2016.

Vast expanses of lawn cropped short surrounds most homes in rural Maine. While it is a sought after aesthetic for many old timers, it is not a landscape that offers support for local wildlife. For pollinators, lawn is a vast desert with little in the way of food or shelter. In this windy place by the sea, it meant that we had few pollinators dwelling here. Known as the ‘Manor House’, the family who sold us the property practiced this common but ecologically disruptive way of landscaping. Not only does it lack protection for wildlife, it consumes quite a lot of gas to keep it maintained. We have focused on changing this method of working with the land to cultivate pollinator friendly spheres around our new home.

Grandpa has always prioritized his greenhouse, building them in urban settings as well as rural ones, and he even designed his dream-house as a casita wherein the greenhouse took up a third of the floorplan. Here we can see his first mark to disrupt the overwhelming expanse of lawn. Ultimately, a new foundation needed to be dug for the barn in order to save the structure. We trailed that dirt across the front of the property as a large berm which doubles as native plant garden and protection from road noise. After building the greenhouse, the lawn has been steadily shrinking as we build berms, sink hugelcultures and roto-till swaths of grass to explore various methods of meadow restoration and cultivation of nourishment by the sea.