2020 SEED engagements

March 19-22: Slow Fish in Durham, New Hampshire

March 29th:
SEED Swap & Scion Exchange
MOFGA Common Ground Education Center, 10am – 4pm
Installation of the SEED Sensorium & dispersal of Native Grasses
Join us for the 3rd year of installing the SEED Sensorium, pick up seed saving information and native grass seed to support habitat for pollinators. Find us in the alcove, next to the exchange.

April 4th:
Master Gardener Symposium: Gear Up for Gardening
Moore Center, 12:30 – 4:30-5pm
Creative Frameworks for SEED Dispersal ~ Lee Lee
Working at the intersection of art and ecology, Lee Lee will present her methodology in cultivating creative frameworks for public engagement around wild land restoration. Material will include cultivating networks of living SEED libraries, SEED Sensoria, HugelCULTURE and following seasonal rhythms to respond to specific attributes of place in culturally relevant ways. 
Other workshops include: Grow your best Veggies by Marjorie Poronto of the Master Gardeners Extension program, Grow your best raspberries by David Handley, UMaine, Biodiversity by Reeser Manley, Creating a community garden, Edible Millbridge, and Improving soils by Paul and Karen Volkhausen of Happytown Farm.

April 4th: Sweetgrass talk with Carol Dana
Part of the Blue Hill Heritage Trust’s winter lecture series

May 9th 1 – 3pm
Garden Day at the Blue Hill Heritage Trust
Learn what native seeds may be sown in spring and collect native grass seeds to take home and plant for pollinators. A workshop on composting will be presented by master gardener, Zabet NeuCollins.

May 23rd 9am – noon
Blue Hill Public Library Plant Sale
Find SEED under the apple tree as we disperse spring sown native grasses and wild mint along with sipping tea and drawing pollinators who benefit from these meadow plants

The above events cancelled or postponed due to COVID 19

May 23rd 2-4pm (rain date May 24)
Mapping the Labyrinth Meadow workshop at Tapley Farm
As a community, we will map out the geometric path that will be maintained at Tapley Farm in Brooksville as a collaboration between the Tent Project, the Open Air Arts Initiative and SEED :: disperse. The labyrinth will offer a platform on which to creatively explore our relationship with the meadow landscape. Challenging the dominant local mowing practice of severing this important part of local ecology, this event kicks off a series of workshops to educate people on how to maintain meadows in ways that best support the pollinator and bird communities that are essential to healthy natural systems.

May 30
Alewife Festival at Pierce Pond
Join the Penobscot Alewife Committee, the Blue Hill Heritage Trust & SEED to celebrate the maturing landscape around the restored fish ladder into Pierce Pond. Learn about the plants that make up shoreline communities and the network of life supported by them.

July 11 – 27th: SEED Barn Artist in Residence: moira williams
Learn more about moira’s walking based creative practice:
I-Park Kicks off Seventh Art Biennale in East Haddam

July 25th 2-4pm (rain date July 26)
Embodying the Landscape: Walking the Labyrinth
We invite the community to walk the labyrinth with intention as we explore the plant communities that make up the meadow at the Tapley Farm. We will speak of how important it is to hold off on mowing our meadows until November by paying attention to the teaming life that fills the maturing meadow. We will think about the localized movement of pollinators as they weave their way through the landscape and think about the shelter provided by tall grasses for seed dispersers who call the meadow home. Open source images of the network of life that abounds in meadows will be available for creative exploration through words, movement and drawing.

August 22nd 10a-4pm
Blue Hill Maritime Festival
Discover the colonial medicine chest and tea gardens at the Pendleton House with the establishment of a new SEED library dedicated to preserving these heirlooms brought to Maine from across the sea.

October 3rd 2-4pm (rain date October 4)
Meadow Restoration workshop at Tapley Farm
We will look at techniques for restoring meadows for the final event in the Labyrinth series in collaboration with the Tent Project and the Open Air Arts Initiative. Thinking about the transformation from flower to seed, we will look at the community of seed eating birds who are supported by mature meadows as they migrate south for the winter. We invite people to wait until November to mow so as not to disrupt this important food source for the birds. Autumn is the best time for planting plugs and we will share techniques on how to best introduce native plants to meadow environments to broaden the diversity of what is growing around us.

October 8-12th: Terra Madre

Mountains Beyond Mountains

Restoration Liberation
2019 Ghetto Biennial

Katelyn Alexis + Getho Jean Baptiste + Wesner Bazile + Rossi Jacques Casimir + Noel Edgard aka Papouche + Lee Lee + Mimi Sheller + moira williams

We are exploring historic connections between Maine and Haiti with a series of workshops and performances; looking at the entangled mobilities between plant-human and non-human relationships held sacred by indigenous communities. We will consider the role plants played through the Haitian revolution and how plant-based practices in both geographies may inform each other as we navigate our way through food sovereignty, sacred/medicinal relationships and rewilding
efforts. We are interested in counterpractices that push against industrial agriculture and hybrid seeds.

I :: White Pines from Dawnland
The tall, straight trunks of Maine’s white pine trees were marked and severed from the landscape by French settlers to build ships that carried lumber to Haiti. Hawthorn trees were equally struck from the land, stripped of their thorns then used as nails in the same ships to Haiti (Hawthorne is resistant to rot unlike pine). Both Pine and Hawthorne trees carry sacred/medicinal relationships with indigenous people. Additionally, both trees were used to construct plantations that in turn, served as frameworks against which the Haitian revolution took place. Our project begins with tracing the ghosts of White Pine and Hawthorn trees. We will travel rural areas to find their traces, look at the functional differences between in-tact plantation grounds versus fragmented land passed down equally through generations of families after the revolution. We will connect these ghosts to the sacred/medicinal microgardens found in the pots and doorways of Port-Au-Prince through recorded conversations, knowledge sharing and movement.

SEED Barn - Blue Hill Falls, Maine
The SEED Barn was crafted by boat builder, John Cheever in 1835. Here it is seen with a schooner under construction in mulatamicuwon, now known as Conary Cove in Blue Hill, Maine

II :: Mountains beyond Mountains
The indigenous Arawak people met the first free Africans in Ayiti (Haiti), during the 1800’s. Ayiti means ‘mountains beyond mountains’ an expression from and of the land. Both cultures recognized one another’s interconnected, sacred relationships with the land. As a result, the Arawak shared their knowledge of the land and the medicinal qualities found in Haiti’s endemic plants with the Africans. Plant, food and soil knowledge continues to be cultivated, interwoven with multiple cultural nuances, as interventions of restoration and liberation throughout the tightest corners of urban Port-Au-Prince. These same plants are grown in microgardens around the Grand Rue.

III :: Control
Moringa trees provided Haitians essential nutrients during the petrol revolts this year. Moringas were brought to Haiti from Africa as seeds and thrive in areas where little else can grow. We will plant more Moringa trees, save their seeds to establish a nutrient dense Grand Rue – if you control food, you control people.

Confronting the failures of our work in the previous biennales, we will install a functioning SEED library at SAKALA. They have the capacity for preservation and are interested in seed saving due to food security threats from hybridization. Informed by the progress of SEED work in Maine with the Halcyon Grange and Blue Hill Heritage Trust, we will call on Haitian organizations to maintain a preservation ring. Potential SEED library branches AJDHVD network of school gardens, Minister of
the Environment, Botanic Gardens, SOIL & Lambi Fund farmer networks.

IV :: Restoration
In response to concerns that urban youth are being severed from the land, traditional plant, soil, health and cultural knowledge, we will weave aspects of re-wilding into our SEED work to promote
a whole-body ecologic revolution. We will do this with seed saving workshops and a combined art, citizen science, movement
workshops in the Grand Rue and SAKALA (SAKALA has a “wild” field). We will provide a school bus and invite the Grand Rue TiMoun to participate.

2019 installation:
Accidental Migrants

2019 Ghetto Biennale: THE HAITIAN REVOLUTION & BEYOND

2020 update

Because of the revolts over the course of 2019, we decided to elongate this effort by drawing out programming to support workshops on a month to month basis. We started with open source images of Ruby-throated hummingbirds & cedar waxwings printed for the installation for the 2019 Biennial. Both birds are considered ‘accidental migrants’ from the northeast. The woodworking community that makes up Lakou Basile are carving representations of these photographs on a workshop platform with neighborhood youth to learn relationships of flowers with pollinating hummingbirds & fruit dispersal through birds. The woodblocks will be sent to the SEED Barn and used to demonstrate printing techniques of Ukiyo-e style of woodblock printing during the 2020 season. In hopes this exchange ignites consideration of the ecologic and historic geographic relationships we maintain with lands which host migratory wildlife enjoyed throughout the Maritime region during the summer.

Accidental Migrants

Installation of migratory birds who connect the ecologies of Acadia & Ayiti for the 2019 Ghetto Biennale

Accidental Migrants
Sorting through open source images of Ruby-throated hummingbirds & cedar waxwings. Both birds are considered ‘accidental migrants’ from the northeast. The woodworking community that makes up Lakou Basile are carving representations of these photographs to learn relationships of flowers with pollinating hummingbirds & fruit dispersal through birds. The woodblocks will be sent to the SEED Barn and used to demonstrate printing techniques of Ukiyo-e style of woodblock printing during the 2020 season. In hopes this exchange ignites consideration of geographic relationships and how we maintain ties to lands which host migratory wildlife we enjoy throughout the Maritime region during the summer.
Ruby-throated Hummingbird
Cedar Waxwing
Cedar Waxwing
Cedar Waxwing
Cedar Waxwing
Ruby-throated hummingbird
Ruby-throated hummingbird
Ruby-throated hummingbird
Ruby-throated hummingbird defending her territory
Basile Wesner
Basile Wesner installs images sourced from the commons through his home during the 2019 ghetto biennale
Rossi Jacques Casimir
Rossi Jacques Casimir is instigating this project & is credited with the documentation in this article.

Sea Shanties & SEED Stories


Celebrating the new gardens designed and built by Lee Lee at the Pendleton House, they set the stage for a display of Haitian artworks and maritime paintings during first Blue Hill Maritime Heritage Festival. In consideration of the historic use of the building to house sailors who needed temporary housing between seafaring journeys, garden plants were chosen because they were considered important enough for early settlers to bring with them across the sea. The plant collection will comprise a collection of tea and medicinal plants tended in these early colonial ‘medicine chests’.

In tandem with exploring what plants arrived here, we are considering the severance of the landscape for the raw materials that became the foundations for colonialism. What systems were set in place that still exist today? What are the long term social impacts experienced by indigenous populations in the Penobscot region as well as the Caribbean and African regions? How is indigenous practice informing the healing of these lands?

Featuring custom painted Maritime Chests and Historical Signs by Robert Jarvis Leonard III, the garden installation included crafts from Indian Island by Penobscot linguist Carol Dana and a selection of Haitian sculptures that offer a poignant reflection of the backwaters of (im)mobilities. An interactive component will invite visitors to share stories of their own relationship with plants and migrations.

Through the festival, songs of the sea will be sung both in the gardens and along the sea across the street at Emerson park. Bring an instrument and join in this Cèilidh style gathering.



Revolution

ARTISTS on view:
Basile Wesner
Katelyn Alexis
Love Leonce
Jean Frederic
Getho Jean Baptiste
Willem Guillome
Kombatan
Londel Inoocent
Evel Romain
Jean Claude Santillus
Zaka
Jean Herard Celeur

This exhibition initiates explorations of the historic connections between Maine and Haiti. Encouraging an examination of the entangled mobilities between plant-human and non-human relationships held sacred by indigenous communities, we will consider the role plants played through the Haitian revolution and how plant-based practices in both geographies may inform each other as we navigate our way through food sovereignty, sacred/medicinal relationships and rewilding efforts.

Sculptures by Atis Rezistans members are installed through the gardens around the SEED Barn and will remain on view through the summer. The sale of these artworks will directly support continued restoration efforts in the central urban zones of Port-Au-Prince. The SEED Barn in Blue Hill Falls was built by the ship builder, John Cheever, who constructed tall ships in Conary Cove. It is also located at mulatamicuwon, traditionally used by the Penobscot. The history which has unfolded in this place makes it a relevant platform to explore the ties between seemingly disparate geographies. 

Several members of the Atis Rezistans have work currently on view in the Museum of Contemporary Art in North Miami as part of PÒTOPRENS: The Urban Artists of Port-au-Prince, which traveled from Pioneer Works in Brooklyn, NY.

Jardin Katelyn

Katelyn Alexis in her garden
Katelyn stands in her garden, with medicinal Vervain growing on the left & a local spinach on the right.
Tropical vervain
Tropical variety of Vervain.
seed saving
Saving seeds from the local spinach
Papillon by Katelyn Alexis
Papillon by Katelyn Alexis 2017
moira williams installing lambi peau
moira williams prepares the back area of the Garden after installing the banner created during the feast for Azaka in Lakou Claude.
moira williams in the garden
moira williams installs ‘lambi peau’ painted earlier during a workshop led by Kombatan. This symbol of freedom marks the young moringa & mango trees.
Atis Katelyn Alexis
Katelyn works on pollinator blocks with her son.
pollinator blocks
Community made Pollinator blocks for the SEED Sensorium
baby moringa
Young moringa trees arrived from the nursery at Sakala
moringa
Planted with care

Lakou Jean Claude Santillus

Jean Claude Santillus
Figures sculpted by Jean Claude Santillus watch over the engagements
SEED Sensorium - Pollinate
Observational drawing is paramount to learning. Open source images of indigenous birds and pollinators guide the drawing workshop in Lakou Claude.
Workshops are run alongside a feast prepared with lots of vegetables, from which we save seeds.
Lee Lee demonstrates seed saving techniques for various vegetables
The biggest, most beautiful beans are preserved for planting
Papouche with chili seeds.

Lakou Basile

Basile Wesner
Basile Wesner’s sculpture of a doctor installed next to a newly planted mango, under the medicinal trees that make up the canopy of his garden.
Lakou Basile
Young moringa and mango planted in a pocket garden in the woodcarving community that make up Lakou Basile. The woodcarvers here are able to supply woodchips that have been broken down over time under their lathe operations. This is the site that hosted the first wood block carving workshops of the 2019 Ghetto Biennial: Revolution

SEED :: disperse | Haiti

2017 Ghetto Biennale

Two years after installing pocket gardens in the previous biennial, we examined the gardens of the Grand Rue to assess which plants thrived. We used what we learned in growing plants in a heavily populated area of the city to apply what worked to the areas that did not fare as well. We found that trees fared the best, and that joumou (the local pumpkin) can easily trail along rooftops. At our workshops, we share a meal with joumou, then plant seeds with the youth who in turn tend the seedlings and in time have a product to sell or trade which supports food security. In response to an aggressive program to hybridize Haitian heirloom seeds, we started weaving a network of SEED Stewards across the urban areas of Port Au Prince in order to preserve open source access to traditional seed stock while providing a continued connection to the natural world for urban youth. The Biennial installation included the development of a SEED Sensorium created in collaboration with local youth as well as a collaborative installation with Jean Claude Santillus curated from seed related art works created by members of the Atis Rezistans collective.

Explore:
Jardin Katelyn

Lakou Basile

Lakou Claude

A visit to SAKALA

Jean Claude Santillus, Haiti
Lakou Jean Claude Santillus: Left – Claude plants a banana tree as part of the 2015 Ghetto Biennial, photo by Rossi Jaccques Casimir – right: a year later the tree is thriving, intertwined with his moringa. photo by Richard Arthur Flemming