Accidental Migrants

Installation of migratory birds who connect the ecologies of Acadia & Ayiti for the 2019 Ghetto Biennale

Accidental Migrants
Sorting through open source images of Ruby-throated hummingbirds & cedar waxwings. Both birds are considered ‘accidental migrants’ from the northeast. The woodworking community that makes up Lakou Basile are carving representations of these photographs to learn relationships of flowers with pollinating hummingbirds & fruit dispersal through birds. The woodblocks will be sent to the SEED Barn and used to demonstrate printing techniques of Ukiyo-e style of woodblock printing during the 2020 season. In hopes this exchange ignites consideration of geographic relationships and how we maintain ties to lands which host migratory wildlife we enjoy throughout the Maritime region during the summer.
Ruby-throated Hummingbird
Cedar Waxwing
Cedar Waxwing
Cedar Waxwing
Cedar Waxwing
Ruby-throated hummingbird
Ruby-throated hummingbird
Ruby-throated hummingbird
Ruby-throated hummingbird defending her territory
Basile Wesner
Basile Wesner installs images sourced from the commons through his home during the 2019 ghetto biennale
Rossi Jacques Casimir
Rossi Jacques Casimir is instigating this project & is credited with the documentation in this article.

Meadow Mandala

Meadow Mandala at the SEED Barn Maine
Thatcher Gray basks above the completed Meadow Mandala in the wet meadow alongside the SEED Barn.

Broadening perceptions of HOME to include outdoor spaces helps cultivate an understanding of the interrelationships between humans and wildlife. As for humans, good homes for wildlife include plenty of food, safe access to water and shelter, and enough space to raise the next generation. In this outdoor workshop, participants are invited to create an on-site, mandala inspired sculpture woven through the meadow landscape that will provide winter habitat for seed dispersers.

In the process, we learn how to work with natural materials in our own gardens to augment habitat for wildlife through winter months.

This is the final installment of the 2019 Open Air Arts Initiative Field Works, a collaboration between the Blue Hill Heritage Trust, Cynthia Winings Gallery & the SEED Barn. The culmination exhibition will take place at Parker Point the weekend of September 27-29.
https://www.facebook.com/events/596899880842603/

The SEED Barn is located at 53 Falls Bridge Road in Blue Hill Falls www.virtualvoices.org
http://www.openairarts.org/
https://bluehillheritagetrust.org/

Meadow Mandala at the SEED Barn Maine
Exploring different methods of working with materials on site, participants share ideas as the spiral form of the mandala is established
leaf chain
A leaf chain is woven with yarn and Norway maple leaves from the eradication of the invasive tree on another part of the property.
Leaf chain for the Meadow Mandala
Assembling the Meadow Mandala at the SEED Barn Maine
Working together to assemble the Meadow Mandala
Meadow Mandala at the SEED Barn Maine
The finished mandala
Meadow Mandala in winter. The structure persists into the winter and highlight the animal passages through the underbrush.
Mandala in Winter

Bagaduce Alewife Celebration


Join the Penobscot Alewife Committee, Maine Coast Heritage Trust, Blue Hill Heritage Trust and Maine Center for Coastal Fisheries for the 2nd Annual Bagaduce Alewife Celebration!

Saturday, May 18th, 11am – 3pm
Pierce Pond in Penobscot


Learn about the native plant restoration work being done at Pierces with the SEED Barn & Blue Hill Heritage Trust.

Demonstrations on sowing native seeds, transplanting seedlings and providing habitat will compliment an art installation of cast paper butterflies. The public is invited to participate in this community restoration project by learning about the ecologies along the land water interface. Add your voice by composing messages to wildlife who use this passage, and bring home an assortment of native grass seeds to plant in your own yard!

Guided tours of future restoration locations will take place on on Parker Pond (9:30am)  and Walkers Pond (1pm)


Explore the Water!
Catch alewives to make observations, view a freshwater fish observation tank, taste smoked fish, and much more! There will even be a Virtual Reality set up so you can “swim with the fishes” through Maine Center for Coastal Fisheries!

For more information, please contact Blue Hill Heritage Trust at 374-5118 or info@bluehillheritagetrust.org

Participate in the Community Restoration of Pierce Pond through March by sowing native seeds specific to the river and lakeshore plant communities observed around Pierce Pond and gathered from the research in the Natural Landscapes of Maine guide published by the Maine Heritage Fund. Seeds are best sown at home, and we invite community members to establish some in their home gardens and sow some to share with the restoration project.



Great Maine Outdoor Weekend

Art is for the BIRDS!!

The Great Maine Outdoors Weekend encourages people to get outside! This year, the Blue Hill Heritage Trust is working with Lee Lee of the SEED Barn on a participatory sculpture that will be woven directly into the landscape in the Kingdom Woods Conservation Area. Part of the Open Air Arts Initiative, this arts workshop invites community members to collaborate on a sculpture that will provide winter shelter for birds, aesthetically integrating material from young oak trees that were recently cleared to preserve the heirloom blueberry field. Extending the flow of existing natural forms which stand prominently in the landscape, participants will weave the branches together, keeping in mind the space needed by bunnies to burrow and birds to flutter. In the process, contributors can explore ways we may integrate organic detritus offer winter protection for resident species in a way that piques visual interest. The Open-Air Arts Initiative is a collaboration between the SEED Barn, Blue Hill Heritage Trust and Cynthia Winings Gallery. Its mission is to use nature to ignite creativity in the young people who live on or visit the Blue Hill Peninsula.

Drawing inspiration from the land immersed arts movement of the west, Lee Lee has been bringing a new kind of community arts practice to the Blue Hill Peninsula. Working with only materials found on site, she has invited the public to work together in weaving sculptures through the landscapes around the Blue Hill Peninsula. Through the spring, she collaborated with local students to build sculptural pollinator homes. As the season transitions into fall, she is working with the wider community on ways we may increase habitat for birds through the series birdSEED.

Sculpting branches that we trim out of the garden challenges the popular but somewhat misplaced notion that tidy yards are superior. In fact, tangles of woody brush are essential habitat for birds, small mammals as well as pollinators. Downeast Audubon director, Leslie Clapp describes ways we may creatively incorporate winter protection for resident birds into our domestic spheres at home; “Building brush piles is fun and you can be as creative as you wish.  Some look like tepees, some porcupines, others bee hives. You can plant vines which cover them for more interest.  Sometimes I put a base of logs (in log cabin style) and then weave the sticks in through the logs so they stand upright. The major thing is not to pack them too tightly so the critters can’t get in.  I keep adding to some year after year because they do break down.”

Complementing the weaving of thicket style shelter for the birds, ongoing seasonal workshops hosted by the SEED barn demonstrate how to ferment and sow fresh native stone fruit seeds. Native species like wild cherries, elderberry, mountain ash and an array of viburnum and dogwoods not only feed the birds but provide important nectar sources for pollinators in the early spring.  Because fruit is an inhibitor to seed germination, it needs to be cleaned off thoroughly; as if it has passed through the gut of a bird, bear or moose. The process of mimicking bird digestion is easily replicated at home by smashing a bunch of fruit to a pulp in a Ziploc bag. Over the course of about ten days, mashing the bag daily, the bubbles of fermentation form in the macerated fruit then settle. At this point, the seeds may be cleaned by immersing them in fresh water, massaging any remaining fruit off the seed, swirling the pulp in a bowl of water and pouring off the macerated fruit. Viable seeds will sink in the vortex of the swirl, while the fruit will be picked up by the current and easily poured off. These seeds cannot dry out, so need to be planted fresh. They may be stored immersed in vermiculite in the same plastic bag and stored in the refrigerator until the season shifts; then planted right before the ground freezes. 

Supported in part by a project grant from the Maine Arts Commission, birdSEED will continue the following week with a public workshop on taming invasive bittersweet and barberry at the Blue Hill Consolidated School on September 29th.

birdSEED: Explore! Outdoors

Image courtesy of Explore Outdoors!

Following the ecological rhythm of the seasons, SEED programs engage a network of schools and land stewards at the intersection of art and ecology to promote long term restoration. Building habitat for birds and pollinators through providing accessible platforms for community participation develops a sense of our relationships with the natural world, which we feel is essential to the effectiveness of conservation work. Drawing inspiration from the ancient art of weaving practiced in the area, we will gather in August to weave winter homes for birds and weave together native plant communities cultivated in the SEED network of steward gardens. In so doing, we weave together communities of people in the act of ecocultural restoration. In collaboration with Explore! Outdoors and the Blue Hill Public Library, we intend to create a woven sculpture immersed in the landscape of the SEED Barn meadow, using only materials found on site so that the works may disintegrate back into the landscape. The act of creating these woven structures allows us to think about traditional relationships with the land while exploring the animal species who could potentially use the shelter while overwintering nearby. Summer visitors are particularly encouraged to attend so they may return home to apply this method in more urban areas.

SEED Barn Maine - birdSEED
Participants fill the moist meadow of the SEED Barn to gather materials to integrate into our habitat sculpture.
SEED Barn Maine - birdSEED
The structure echoes the perpendicular lines between the fallen trunk, branches and ground, creating a framework into which were inserted small scale, nest like sculptures.
SEED Barn Maine - birdSEED
SEED Barn Maine - birdSEED nest
Nest inspired sculpture made of natural materials during the workshop.
SEED Barn Maine - birdSEED
Nest forms woven on a larger scale in the meadow.
SEED Barn Maine - birdSEED
SEED Barn Maine - birdSEED winter
The nest inspired sculpture settles into the landscape over the winter.

¡Pollinate! Artsweek at GSA

Pollinator sculpture hung from the trees

Broadening perceptions of HOME to include outdoor spaces beyond our walls helps cultivate an understanding of the interrelationships between humans and pollinators. As for humans, good homes for pollinators include plenty of food, safe access to water and shelter, and enough space to raise the next generation. Developing the awareness of what is available beyond our fencelines, we may fill in the gaps to support movement of pollinators through our own spheres. The movement of pollinators like bees, butterflies, beetles & moths is highly localized. During the spring we think about the ways that pollinators navigate our gardens, filling in gaps in bloom time with native flowers and ensure there is enough tufting grass to provide protection. In this workshop, students from the George Stevens Academy constructed pollinator homes out of hollow stems, drilled holes in dead wood and sculpted stacks of branches in the staghorn sumac grove above Wardwell Pasture during their Artsweek creative workshops. We used material from a tree that had needed to be cleared because of the proximity to the road by which it had fallen because we don’t like to disrupt in-tact ecologies by taking out materials that make up existing systems. Our tools included a drill, hacksaw, twine, hammer and a single nail. The sculptures persisted through the seasons, slowly melting back into the landscape over time.

Jardin Katelyn

Katelyn Alexis in her garden
Katelyn stands in her garden, with medicinal Vervain growing on the left & a local spinach on the right.
Tropical vervain
Tropical variety of Vervain.
seed saving
Saving seeds from the local spinach
Papillon by Katelyn Alexis
Papillon by Katelyn Alexis 2017
moira williams installing lambi peau
moira williams prepares the back area of the Garden after installing the banner created during the feast for Azaka in Lakou Claude.
moira williams in the garden
moira williams installs ‘lambi peau’ painted earlier during a workshop led by Kombatan. This symbol of freedom marks the young moringa & mango trees.
Atis Katelyn Alexis
Katelyn works on pollinator blocks with her son.
pollinator blocks
Community made Pollinator blocks for the SEED Sensorium
baby moringa
Young moringa trees arrived from the nursery at Sakala
moringa
Planted with care

Neo Rio: Pollinators, Plants & People

Invited to be a part of Neo Rio 2016: Pollinators, Plants & People, the Debris Project was integrated into a part of the installation called ADRIFT, which looked at the chemical impacts on pollinators. Neo Rio is an annual arts event hosted by LEAP (Land, Environment & Art of Place) at the Montoso campground in the Wild Rivers Recreation Area in the Rio Grande del Norte National Monument. LEAP provides opportunities to deepen our appreciation and understanding of and relationship to our environments and our human and non-human neighbors; to increase our commitment to protecting these places and relationships and fostering creative responses and expressions of them in contemporary art and culture.

ADRIFT was installed in the man-made structure of the campsite, which had a view of the Chevron Questa mine. Because mining releases substantial chemicals into watersheds, and chemical body burdens are intimately tied to plastic pollution, this setting was ideal to present the chemical impacts on our watersheds. Included in the installation were post industrial western landscapes of oil refineries in Commerce City & Sinclair Wyoming, as well as an aerial view of the DOW chemical plant in Texas. DEBRIS tiles were hung vertically as flags to withstand the strong winds that whip across the top of the Rio Grande gorge. The images were representations of native pollinating water insects created with Oceans First in Boulder, Colorado during a spring session earlier in the year. Weighting down the flags was a plastic toy dinosaur; a reminder that the source of endocrine disrupting chemicals is fossil fuels.

View from the ADRIFT installation at the Montoso campground towards the Chevron Questa Mine looming in the distance. Chevron is confronted by years of remediation work after the mine recently shut down.

Gaea McGahee explores DEBRIS tiles at night as the Neo Rio event rambles on around the campfire.

Printed matter: preparation of tiles made earlier in the spring by Oceans First students in Boulder, Colorado. The students focused on creating plastic representations of flies found in watersheds throughout the Rocky Mountain West.

Making DEBRIS tiles into vertical hanging flags to withstand the winds that whip across the top of the gorge.

Hanging the flags: weighting down the vertical flags is a reminder of the source of plastic and the chemicals in the form of a plastic toy dinosaur.

Exploring the broader theme of pollination, the works installed in the ADRIFT section included butterflies, here represented as flags hung under a painting of the DOW chemical plant. The butterflies were conveyed as voids to echo the decimation of habitat monarchs are facing now because of heavy use of chemicals in agriculture. The central flag is a re-purposed plastic pro-cor plate created in collaboration with Susanna Mitchell as part of the Monarch project.

Detail of a butterfly flag with degraded plastic filling the void.

A deflated plastic bee balloon was stung up in a dead tree to serve as a flag marking the path between the ADRIFT installation and HOME. The HOME installation was a hands on activity station that explored how pollinators like bees are essential to human nourishment. Providing a solution to the challenges pollinators face now, local wildflower seeds were offered to participants to take home to their own gardens in order to provide habitat for pollinators.