OCHO | Printmaking with Plants Workshop

Monoprint plate

As part of the ¡Pollinate! series of events initiated by LEAP (Land, Experience & Art of Place), OCHO Art Space hosted a printmaking with plants workshop. We explored the marks made with native plants that support pollinators, working with forms made directly from the seeds and layering ghost prints to create rich textures in the final prints. It was a starting point for participants to weave into their creative practice by looking at the potential offered by material gathered in the field. Jan Simonsen Martenson from the New Mexico Native Plant Society joined us and brought a whole host of native seeds to incorporate into the work.

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Lynda Jasper Vogel peels elements off her plate
Barrie Andrews offers aesthetic guidance
First and second runs by Lynda Jasper Vogel. The ghost print was incorporated into the second run, layered with plants that had picked up ink from the first run, flipped over to transfer detail from the plant material.
Jan Simonson Martenson starts a new plate and works through the process of printing the ghost images layered with the ‘inked’ plant material.
The first run prints the plants as silhouettes.
Plants are flipped over and layered with the ghost image for the second run.
The second run offers a layered effect
Jan Simonson Martenson examining her plate
Surprise and delight fill the air – this was Jan’s first exposure to printmaking
Moisture from the plant material can create a resist around the plant and make them appear as if they are ‘glowing’
Ghost print of the ‘glowing’ plate
Jean Frey examines her ghost print
Silhouettes & Ghosts – side by side

Linda Melvin-Graham

Linda Melvin Graham, seed head monoprint created at Processus Art Life
Linda Melvin Graham, seed head monoprint created at Processus Art Life

Artist Statement: SEED :: disperse

After years of exploring ways of expressing my ideas of biology and geometry within concepts and patterns in clay, I have begun to use acrylic sheet as a vehicle for exploring some of the mysteries of the celestial spaces. The way this material absorbs, reflects, emits, and transforms light has become a source of endless wonder for me. I am amazed when I see the unexpected, unanticipated brilliant light pouring out of the edges of fluorexcent acrylic, the depth of the void within the black opaque surfaces, and the way that images sometimes seem to floatwithin the black opaque surfaces, and the way that images sometimes seem to float in empty space in front of curved pieces of acrylic.

A chance adventure with Lee Lee at the Processus Art Making place has reminded me that a very basic unit of transporting genetic information, the seed, has a beauty and wonder of its own.

Linda Melvin Graham joined the SEED printmaking workshop with Viviane Le Courtois and Lee Lee at Processus Art Life as part of Denver’s 2016 Month of Printmaking