¡Pollinate! Artsweek at GSA

Pollinator sculpture hung from the trees

Broadening perceptions of HOME to include outdoor spaces beyond our walls helps cultivate an understanding of the interrelationships between humans and pollinators. As for humans, good homes for pollinators include plenty of food, safe access to water and shelter, and enough space to raise the next generation. Developing the awareness of what is available beyond our fencelines, we may fill in the gaps to support movement of pollinators through our own spheres. The movement of pollinators like bees, butterflies, beetles & moths is highly localized. During the spring we think about the ways that pollinators navigate our gardens, filling in gaps in bloom time with native flowers and ensure there is enough tufting grass to provide protection. In this workshop, students from the George Stevens Academy constructed pollinator homes out of hollow stems, drilled holes in dead wood and sculpted stacks of branches in the staghorn sumac grove above Wardwell Pasture during their Artsweek creative workshops. We used material from a tree that had needed to be cleared because of the proximity to the road by which it had fallen because we don’t like to disrupt in-tact ecologies by taking out materials that make up existing systems. Our tools included a drill, hacksaw, twine, hammer and a single nail. The sculptures persisted through the seasons, slowly melting back into the landscape over time.

Neo Rio: Pollinators, Plants & People

Invited to be a part of Neo Rio 2016: Pollinators, Plants & People, the Debris Project was integrated into a part of the installation called ADRIFT, which looked at the chemical impacts on pollinators. Neo Rio is an annual arts event hosted by LEAP (Land, Environment & Art of Place) at the Montoso campground in the Wild Rivers Recreation Area in the Rio Grande del Norte National Monument. LEAP provides opportunities to deepen our appreciation and understanding of and relationship to our environments and our human and non-human neighbors; to increase our commitment to protecting these places and relationships and fostering creative responses and expressions of them in contemporary art and culture.

ADRIFT was installed in the man-made structure of the campsite, which had a view of the Chevron Questa mine. Because mining releases substantial chemicals into watersheds, and chemical body burdens are intimately tied to plastic pollution, this setting was ideal to present the chemical impacts on our watersheds. Included in the installation were post industrial western landscapes of oil refineries in Commerce City & Sinclair Wyoming, as well as an aerial view of the DOW chemical plant in Texas. DEBRIS tiles were hung vertically as flags to withstand the strong winds that whip across the top of the Rio Grande gorge. The images were representations of native pollinating water insects created with Oceans First in Boulder, Colorado during a spring session earlier in the year. Weighting down the flags was a plastic toy dinosaur; a reminder that the source of endocrine disrupting chemicals is fossil fuels.

View from the ADRIFT installation at the Montoso campground towards the Chevron Questa Mine looming in the distance. Chevron is confronted by years of remediation work after the mine recently shut down.

Gaea McGahee explores DEBRIS tiles at night as the Neo Rio event rambles on around the campfire.

Printed matter: preparation of tiles made earlier in the spring by Oceans First students in Boulder, Colorado. The students focused on creating plastic representations of flies found in watersheds throughout the Rocky Mountain West.

Making DEBRIS tiles into vertical hanging flags to withstand the winds that whip across the top of the gorge.

Hanging the flags: weighting down the vertical flags is a reminder of the source of plastic and the chemicals in the form of a plastic toy dinosaur.

Exploring the broader theme of pollination, the works installed in the ADRIFT section included butterflies, here represented as flags hung under a painting of the DOW chemical plant. The butterflies were conveyed as voids to echo the decimation of habitat monarchs are facing now because of heavy use of chemicals in agriculture. The central flag is a re-purposed plastic pro-cor plate created in collaboration with Susanna Mitchell as part of the Monarch project.

Detail of a butterfly flag with degraded plastic filling the void.

A deflated plastic bee balloon was stung up in a dead tree to serve as a flag marking the path between the ADRIFT installation and HOME. The HOME installation was a hands on activity station that explored how pollinators like bees are essential to human nourishment. Providing a solution to the challenges pollinators face now, local wildflower seeds were offered to participants to take home to their own gardens in order to provide habitat for pollinators.