2020 SEED engagements

March 19-22: Slow Fish in Durham, New Hampshire

March 29th:
SEED Swap & Scion Exchange
MOFGA Common Ground Education Center, 10am – 4pm
Installation of the SEED Sensorium & dispersal of Native Grasses
Join us for the 3rd year of installing the SEED Sensorium, pick up seed saving information and native grass seed to support habitat for pollinators. Find us in the alcove, next to the exchange.

April 4th:
Master Gardener Symposium: Gear Up for Gardening
Moore Center, 12:30 – 4:30-5pm
Creative Frameworks for SEED Dispersal ~ Lee Lee
Working at the intersection of art and ecology, Lee Lee will present her methodology in cultivating creative frameworks for public engagement around wild land restoration. Material will include cultivating networks of living SEED libraries, SEED Sensoria, HugelCULTURE and following seasonal rhythms to respond to specific attributes of place in culturally relevant ways. 
Other workshops include: Grow your best Veggies by Marjorie Poronto of the Master Gardeners Extension program, Grow your best raspberries by David Handley, UMaine, Biodiversity by Reeser Manley, Creating a community garden, Edible Millbridge, and Improving soils by Paul and Karen Volkhausen of Happytown Farm.

April 4th: Sweetgrass talk with Carol Dana
Part of the Blue Hill Heritage Trust’s winter lecture series

May 9th 1 – 3pm
Garden Day at the Blue Hill Heritage Trust
Learn what native seeds may be sown in spring and collect native grass seeds to take home and plant for pollinators. A workshop on composting will be presented by master gardener, Zabet NeuCollins.

May 23rd 9am – noon
Blue Hill Public Library Plant Sale
Find SEED under the apple tree as we disperse spring sown native grasses and wild mint along with sipping tea and drawing pollinators who benefit from these meadow plants

The above events cancelled or postponed due to COVID 19

May 23rd 2-4pm (rain date May 24)
Mapping the Labyrinth Meadow workshop at Tapley Farm
As a community, we will map out the geometric path that will be maintained at Tapley Farm in Brooksville as a collaboration between the Tent Project, the Open Air Arts Initiative and SEED :: disperse. The labyrinth will offer a platform on which to creatively explore our relationship with the meadow landscape. Challenging the dominant local mowing practice of severing this important part of local ecology, this event kicks off a series of workshops to educate people on how to maintain meadows in ways that best support the pollinator and bird communities that are essential to healthy natural systems.

May 30
Alewife Festival at Pierce Pond
Join the Penobscot Alewife Committee, the Blue Hill Heritage Trust & SEED to celebrate the maturing landscape around the restored fish ladder into Pierce Pond. Learn about the plants that make up shoreline communities and the network of life supported by them.

July 11 – 27th: SEED Barn Artist in Residence: moira williams
Learn more about moira’s walking based creative practice:
I-Park Kicks off Seventh Art Biennale in East Haddam

July 25th 2-4pm (rain date July 26)
Embodying the Landscape: Walking the Labyrinth
We invite the community to walk the labyrinth with intention as we explore the plant communities that make up the meadow at the Tapley Farm. We will speak of how important it is to hold off on mowing our meadows until November by paying attention to the teaming life that fills the maturing meadow. We will think about the localized movement of pollinators as they weave their way through the landscape and think about the shelter provided by tall grasses for seed dispersers who call the meadow home. Open source images of the network of life that abounds in meadows will be available for creative exploration through words, movement and drawing.

August 22nd 10a-4pm
Blue Hill Maritime Festival
Discover the colonial medicine chest and tea gardens at the Pendleton House with the establishment of a new SEED library dedicated to preserving these heirlooms brought to Maine from across the sea.

October 3rd 2-4pm (rain date October 4)
Meadow Restoration workshop at Tapley Farm
We will look at techniques for restoring meadows for the final event in the Labyrinth series in collaboration with the Tent Project and the Open Air Arts Initiative. Thinking about the transformation from flower to seed, we will look at the community of seed eating birds who are supported by mature meadows as they migrate south for the winter. We invite people to wait until November to mow so as not to disrupt this important food source for the birds. Autumn is the best time for planting plugs and we will share techniques on how to best introduce native plants to meadow environments to broaden the diversity of what is growing around us.

October 8-12th: Terra Madre

Seaside Goldenrod

Monarchs sip nectar from September blooms of Seaside Goldenrod to prepare for their long autumn migration. After several generations of Monarchs have made their way north to Maine, this last generation flies the entire return trip to the alpine forests of central Mexico, where they will over winter.

While Milkweed is essential food for Monarch caterpillars, a diversity of late blooming plants offer important nourishment for migrating monarchs. It’s important NOT to mow fields until much later in the season so the flowers may continue to offer nectar…and then seeds to migrating birds!

¡Pollinate! Artsweek at GSA

Pollinator sculpture hung from the trees

Broadening perceptions of HOME to include outdoor spaces beyond our walls helps cultivate an understanding of the interrelationships between humans and pollinators. As for humans, good homes for pollinators include plenty of food, safe access to water and shelter, and enough space to raise the next generation. Developing the awareness of what is available beyond our fencelines, we may fill in the gaps to support movement of pollinators through our own spheres. The movement of pollinators like bees, butterflies, beetles & moths is highly localized. During the spring we think about the ways that pollinators navigate our gardens, filling in gaps in bloom time with native flowers and ensure there is enough tufting grass to provide protection. In this workshop, students from the George Stevens Academy constructed pollinator homes out of hollow stems, drilled holes in dead wood and sculpted stacks of branches in the staghorn sumac grove above Wardwell Pasture during their Artsweek creative workshops. We used material from a tree that had needed to be cleared because of the proximity to the road by which it had fallen because we don’t like to disrupt in-tact ecologies by taking out materials that make up existing systems. Our tools included a drill, hacksaw, twine, hammer and a single nail. The sculptures persisted through the seasons, slowly melting back into the landscape over time.

OCHO | Printmaking with Plants Workshop

Monoprint plate

As part of the ¡Pollinate! series of events initiated by LEAP (Land, Experience & Art of Place), OCHO Art Space hosted a printmaking with plants workshop. We explored the marks made with native plants that support pollinators, working with forms made directly from the seeds and layering ghost prints to create rich textures in the final prints. It was a starting point for participants to weave into their creative practice by looking at the potential offered by material gathered in the field. Jan Simonsen Martenson from the New Mexico Native Plant Society joined us and brought a whole host of native seeds to incorporate into the work.

The workshop was attached to the exhibition, ¡Pollinate! Art Show: Small is Beautiful at OCHO, which led into the annual outdoor festival, NeoRio 2016: Plants, Pollen + Pollinators at the Montoso Campground, Wild Rivers, Rio Grande Del Norte National Monument. NeoRio features artist talks and site specific art installations on the rim of the gorge followed by an art-filled evening celebration of music, poetry and a locally sourced feast.

Lynda Jasper Vogel peels elements off her plate
Barrie Andrews offers aesthetic guidance
First and second runs by Lynda Jasper Vogel. The ghost print was incorporated into the second run, layered with plants that had picked up ink from the first run, flipped over to transfer detail from the plant material.
Jan Simonson Martenson starts a new plate and works through the process of printing the ghost images layered with the ‘inked’ plant material.
The first run prints the plants as silhouettes.
Plants are flipped over and layered with the ghost image for the second run.
The second run offers a layered effect
Jan Simonson Martenson examining her plate
Surprise and delight fill the air – this was Jan’s first exposure to printmaking
Moisture from the plant material can create a resist around the plant and make them appear as if they are ‘glowing’
Ghost print of the ‘glowing’ plate
Jean Frey examines her ghost print
Silhouettes & Ghosts – side by side