Accidental Migrants

ACCIDENTAL MIGRANTS

Maine’s forests were severed in the first wave of colonialism as European settlers reaped the rich resources of this land. Felled trees were first used to build ships, then were carried off to construct plantations through the Caribbean, laying in place colonial structures of systematized racism that persist today. Indigenous practices in both geographies are helping to heal the land, recognizing that non-human species are essential members of our communities.

Haitian-centered organizations effectively support re-wilding & Eco-cultural restoration:

The Lambi Fund of Haiti: www.lambifund.org

SAKALA: www.sakala-haiti.org/agronomy/

Sadhana Forest: www.sadhanaforest.org/haiti/

SOIL: www.oursoil.org

HUMMINGBIRD Habitat

Hummingbird Habitat

Northeastern native flowers loved by hummingbirds include bee balm, blue lobelia, butterfly weed, cardinal flower, columbine, foxgloves, jewelweed, New Jersey tea, shadbush, Soloman’s seal and virgin’s bower. They have a tubular shape and generally grow upright. Plant these as large clumps and as a succession of blooms to welcome hummingbirds to your garden through the season.

Creating vertical structure in a garden will produce an inviting habitat. Shrubs, small trees and canopy trees planted together with flower gardens and a water source will provide for their needs.

Avoid Pesticides and keep cats away!

MOWING for Wildlife

Mowing in summer is severely disruptive

MOW in NOVEMBER or APRIL

Pollinators need flowers!!
Mowing in summer causes pollen and nectar to disappear – reducing the number of insects. The easiest way to install a Pollinator Pathway is to STOP mowing from May through October!
Farmers who harvest hay may consider leaving strips to grow out along field edges, or around the periphery of their farms.

Birds need insects & SEEDS!
Some birds eat insects…if flowers are cut & insect populations decline, birds loose this food source.

Grassland nesting birds are some of the most endangered. Mowing their nesting grounds before their young fledge drains the population.

Many birds eat seedheads. When flowers are cut mid summer, they do not have time to seed out to feed migrating birds as they return south. It takes away an important winter food source for resident birds.

SEEDS regenerate!!
Allowing seedheads to fully ripen regenerates the population of flowering plants that feed wildlife.

TIPS for maintaining an open meadows

Alternate Areas
While it is important to mow to maintain open meadows, we only need to mow every other year. Leaving un-mown areas over the winter increases habitat for mammals and birds who overwinter here.

SPOT mowing targets aggressive foreign grasses to suppress them and revive flora populations.

Human pathways may be mown through the meadows to increase ease of access for walking and observing the life that will burst forth when open meadow ecology is restored.

Mown path borders along bushes will keep them at bay.

Early Spring Emergence

Foggy April morning on Conary Cove. The sea returns to life in early spring.
Rockweed revived, the air becomes filled with the salty aroma of the ocean.

The arrival of spring is very quiet in Maine. It took me a couple of years to recognize and appreciate the swelling of catkins, the blossoming of fuzzy pussy willows and the blushing reds worn by deciduous forests as the red maple flowers start to bloom. The scent of the sea awakens the senses as the water warms and the rockweed is revived after a long winter freeze. Native flowers start to emerge, but we have to look very closely at the tiny leaves which emerge donned in purples and reds, camouflaged against the soil. This is the fourth year we have started growing our native plants from seed, and the first wave of plants are now established, sending out new tendrils of growth underground to fill in available space. Finally the plants are able to establish ground and deter weeds on their own! Last fall, new seeds were sown in the gaps created by a final weeding of the flower beds. As the first seeds start to germinate, we are mindful to keeping these areas of slow growing seedlings well weeded until they too gain a foothold. Spring snow will still occasionally blanket the earth, and the added moisture encourages these natives to burst forth in May despite the cold in April.

Crocus emerge in April, offering nourishment to early pollinators
Daffodils arrive with cheer as we wait for natives to emerge.
The blush of early spring; Red Maple blooms in the wet meadow.
Foxglove Beards-tongue (Penstemon digitalis) has maintained leaves over the winter that allows for the bursting forth of new leaves by the end of April
Marsh Marigold bursts forth out of the standing water around our well. This is one of the first plants established in our wet meadow as this area was too wet even for the aggressive timothy hay that was planted here years ago.
The quiet emergence of our native lupine is quite the contrast to the quick growing western variety that has become invasive in Maine.
Purple fronds of Jacob’s Ladder unfurl in the early spring sun.
The purple coloring of many plants, like this spotted bee balm, protect the tender leaves from the bright sun as they emerge.
Endangered Bloodroot starts to poke up their small heads between leaf litter. Established plants will emerge through leaves with no problem, so these areas should not be raked. Leaving leaf litter protects overwintering larvae. The leaves break down into a rich humus to invigorate the soil.
Curieux enjoys the new smells from a greening landscape, even when it snows.

2020 SEED engagements

March 19-22: Slow Fish in Durham, New Hampshire

March 29th:
SEED Swap & Scion Exchange
MOFGA Common Ground Education Center, 10am – 4pm
Installation of the SEED Sensorium & dispersal of Native Grasses
Join us for the 3rd year of installing the SEED Sensorium, pick up seed saving information and native grass seed to support habitat for pollinators. Find us in the alcove, next to the exchange.

April 4th:
Master Gardener Symposium: Gear Up for Gardening
Moore Center, 12:30 – 4:30-5pm
Creative Frameworks for SEED Dispersal ~ Lee Lee
Working at the intersection of art and ecology, Lee Lee will present her methodology in cultivating creative frameworks for public engagement around wild land restoration. Material will include cultivating networks of living SEED libraries, SEED Sensoria, HugelCULTURE and following seasonal rhythms to respond to specific attributes of place in culturally relevant ways. 
Other workshops include: Grow your best Veggies by Marjorie Poronto of the Master Gardeners Extension program, Grow your best raspberries by David Handley, UMaine, Biodiversity by Reeser Manley, Creating a community garden, Edible Millbridge, and Improving soils by Paul and Karen Volkhausen of Happytown Farm.

April 4th: Sweetgrass talk with Carol Dana
Part of the Blue Hill Heritage Trust’s winter lecture series

May 9th 1 – 3pm
Garden Day at the Blue Hill Heritage Trust
Learn what native seeds may be sown in spring and collect native grass seeds to take home and plant for pollinators. A workshop on composting will be presented by master gardener, Zabet NeuCollins.

May 23rd 9am – noon
Blue Hill Public Library Plant Sale
Find SEED under the apple tree as we disperse spring sown native grasses and wild mint along with sipping tea and drawing pollinators who benefit from these meadow plants

The above events cancelled or postponed due to COVID 19

May 23rd 2-4pm (rain date May 24)
Mapping the Labyrinth Meadow workshop at Tapley Farm
As a community, we will map out the geometric path that will be maintained at Tapley Farm in Brooksville as a collaboration between the Tent Project, the Open Air Arts Initiative and SEED :: disperse. The labyrinth will offer a platform on which to creatively explore our relationship with the meadow landscape. Challenging the dominant local mowing practice of severing this important part of local ecology, this event kicks off a series of workshops to educate people on how to maintain meadows in ways that best support the pollinator and bird communities that are essential to healthy natural systems.

May 30
Alewife Festival at Pierce Pond
Join the Penobscot Alewife Committee, the Blue Hill Heritage Trust & SEED to celebrate the maturing landscape around the restored fish ladder into Pierce Pond. Learn about the plants that make up shoreline communities and the network of life supported by them.

July 11 – 27th: SEED Barn Artist in Residence: moira williams
Learn more about moira’s walking based creative practice:
I-Park Kicks off Seventh Art Biennale in East Haddam

July 25th 2-4pm (rain date July 26)
Embodying the Landscape: Walking the Labyrinth
We invite the community to walk the labyrinth with intention as we explore the plant communities that make up the meadow at the Tapley Farm. We will speak of how important it is to hold off on mowing our meadows until November by paying attention to the teaming life that fills the maturing meadow. We will think about the localized movement of pollinators as they weave their way through the landscape and think about the shelter provided by tall grasses for seed dispersers who call the meadow home. Open source images of the network of life that abounds in meadows will be available for creative exploration through words, movement and drawing.

August 22nd 10a-4pm
Blue Hill Maritime Festival
Discover the colonial medicine chest and tea gardens at the Pendleton House with the establishment of a new SEED library dedicated to preserving these heirlooms brought to Maine from across the sea.

October 3rd 2-4pm (rain date October 4)
Meadow Restoration workshop at Tapley Farm
We will look at techniques for restoring meadows for the final event in the Labyrinth series in collaboration with the Tent Project and the Open Air Arts Initiative. Thinking about the transformation from flower to seed, we will look at the community of seed eating birds who are supported by mature meadows as they migrate south for the winter. We invite people to wait until November to mow so as not to disrupt this important food source for the birds. Autumn is the best time for planting plugs and we will share techniques on how to best introduce native plants to meadow environments to broaden the diversity of what is growing around us.

October 8-12th: Terra Madre

Seaside Goldenrod

Monarchs sip nectar from September blooms of Seaside Goldenrod to prepare for their long autumn migration. After several generations of Monarchs have made their way north to Maine, this last generation flies the entire return trip to the alpine forests of central Mexico, where they will over winter.

While Milkweed is essential food for Monarch caterpillars, a diversity of late blooming plants offer important nourishment for migrating monarchs. It’s important NOT to mow fields until much later in the season so the flowers may continue to offer nectar…and then seeds to migrating birds!

Riddle me this…

I have no ears, but I listen by feeling vibrations.

The only colors I can see are red, green & yellow, but a vast array of colors can be displayed on my scales.

I taste through my feet and I like to eat rotting fruit and poop.

I have no nose, and smell things through my antennae.

I breathe through spiracle holes in my body.

My exoskeleton is related to crabs and lobsters.

I can fly when my body is warmer than eighty six degrees Fahrenheit.


What am I?

Make a drawing sharing your ideas for the answer
Tag @seed.disperse on Instagram with the resulting drawings

¡Pollinate! Artsweek at GSA

Pollinator sculpture hung from the trees

Broadening perceptions of HOME to include outdoor spaces beyond our walls helps cultivate an understanding of the interrelationships between humans and pollinators. As for humans, good homes for pollinators include plenty of food, safe access to water and shelter, and enough space to raise the next generation. Developing the awareness of what is available beyond our fencelines, we may fill in the gaps to support movement of pollinators through our own spheres. The movement of pollinators like bees, butterflies, beetles & moths is highly localized. During the spring we think about the ways that pollinators navigate our gardens, filling in gaps in bloom time with native flowers and ensure there is enough tufting grass to provide protection. In this workshop, students from the George Stevens Academy constructed pollinator homes out of hollow stems, drilled holes in dead wood and sculpted stacks of branches in the staghorn sumac grove above Wardwell Pasture during their Artsweek creative workshops. We used material from a tree that had needed to be cleared because of the proximity to the road by which it had fallen because we don’t like to disrupt in-tact ecologies by taking out materials that make up existing systems. Our tools included a drill, hacksaw, twine, hammer and a single nail. The sculptures persisted through the seasons, slowly melting back into the landscape over time.

Sow Dry Seed

SEED Barn Maine
The community gathers to collect wildflower seeds and sift through the heirloom seeds donated by Seed Matters.

Native SEED dispersal

Workshop demonstrating how to sow native plant seeds to grow pollinator pathways.
Take home sown seeds for your own garden and help plant a few to establish a native plant nursery for the Blue Hill Heritage Trust. These gardens, along with a network of regional school gardens, will be used to restore wildland ecology across the Peninsula.
http://bluehillheritagetrust.org

SEED matters :: Heirloom seed EXCHANGE
With seeds granted by the Seed Savers Exchange as part of the Seed Matters heirloom preservation program, we are building a foundation for a community seed library. Bring regional heirloom seeds you have been saving to contribute to the library as we gather varietals specifically of this area. Browse from a variety of crops to grow out over the next growing season. Get tips on saving vegetable and fruit seeds. Learn how we may use our land to augment pollinator habitats while sharing ideas on how we invite into our spheres the pollinators essential for growing food.

Seed Matters: “Seed is the first link in the food and fiber chain. And the chain is only as strong as its weakest link. The Clif Bar Family Foundation created Seed Matters to improve the viability and availability of organic seed to ensure healthy, nutritious and productive crops. Together with our partners and folks just like you, we’re making a noticeable difference – from seed to farm to table. Simply put, our three main goals are:

Conserve crop genetic diversity.
Promote farmers’ roles and rights as seed innovators and stewards.
Reinvigorate public seed research and education.”
http://seedmatters.org

Seed Savers Exchange: “We conserve and promote America’s culturally diverse but endangered garden and food crop heritage for future generations by collecting, growing, and sharing heirloom seeds and plants.” https://www.seedsavers.org

SENSORIUM Crafting

Drawing from the strong handworks movement maintained on the Blue Hill peninsula, makers are invited to participate in the creation of an open sourced set of educational tools. The SEED Sensorium is a multi-sensorial exploration of seeds. Bridging art and science, this series of activities engage the senses in learning about the remarkable world of seeds and their utmost importance in our lives. The activities draw inspiration from the Emilia Reggio philosophy of immersive education which promotes student led, experiential programs as the most engaging way to cultivate understanding of the world around us. Participants are encouraged to look through the lens of the seed to explore connections between art and science and their personal connections to the natural world. We would like for the material to be regionally specific, so invite creatives of all ages to contribute to the making of the works.

More information on the SEED :: disperse project: www.virtualvoices.org
The SEED barn is open in winter by appointment: 207.374.2947

Wildflower SEED display at the SEED Barn Maine
Wildflower seed display for dispersal of native plants at the SEED Barn
Planting native seeds for community restoration
Instructions on sowing native wildflower seeds are important as many people feel it is effective to cast the seeds into an established space. However, native flowers are slow growing and need to gain a foothold before being introduced to the field.
The greenhouse is the ideal winter workshop.
Greg Cradick SEED photography
Installation of Greg Cradick’s photographs of urban weed seedheads
Bayberry seeds
Native bayberry seeds are waxy and were used by colonists to scent candles. The leaves are a pot-herb and called ‘bayberry’ for the similar taste to European Bay leaves.
SEED library
A reference library includes a collection of books addressing food justice issues.
Milkweed seeds & Monarch butterflies
A dispersal of several varieties of milkweed native to the area is complemented by an accordion book showing the transformation of monarchs in relationship with the milkweed plant.
Heirloom seeds at the SEED Barn Maine
Heirloom seeds donated by Seed Matters & collected from the MOFGA seed swap were offered to participants to simply try their hand at saving them.

OCHO | Printmaking with Plants Workshop

Monoprint plate

As part of the ¡Pollinate! series of events initiated by LEAP (Land, Experience & Art of Place), OCHO Art Space hosted a printmaking with plants workshop. We explored the marks made with native plants that support pollinators, working with forms made directly from the seeds and layering ghost prints to create rich textures in the final prints. It was a starting point for participants to weave into their creative practice by looking at the potential offered by material gathered in the field. Jan Simonsen Martenson from the New Mexico Native Plant Society joined us and brought a whole host of native seeds to incorporate into the work.

The workshop was attached to the exhibition, ¡Pollinate! Art Show: Small is Beautiful at OCHO, which led into the annual outdoor festival, NeoRio 2016: Plants, Pollen + Pollinators at the Montoso Campground, Wild Rivers, Rio Grande Del Norte National Monument. NeoRio features artist talks and site specific art installations on the rim of the gorge followed by an art-filled evening celebration of music, poetry and a locally sourced feast.

Lynda Jasper Vogel peels elements off her plate
Barrie Andrews offers aesthetic guidance
First and second runs by Lynda Jasper Vogel. The ghost print was incorporated into the second run, layered with plants that had picked up ink from the first run, flipped over to transfer detail from the plant material.
Jan Simonson Martenson starts a new plate and works through the process of printing the ghost images layered with the ‘inked’ plant material.
The first run prints the plants as silhouettes.
Plants are flipped over and layered with the ghost image for the second run.
The second run offers a layered effect
Jan Simonson Martenson examining her plate
Surprise and delight fill the air – this was Jan’s first exposure to printmaking
Moisture from the plant material can create a resist around the plant and make them appear as if they are ‘glowing’
Ghost print of the ‘glowing’ plate
Jean Frey examines her ghost print
Silhouettes & Ghosts – side by side